The specificity of Arthur Aristakisyan's method is, that he uses not only the material of the movie,
but also attracts photography and painting.
Arthur Aristakisyan shows how one and the same theme or figurative metaphor changes
and is transformed by using the optics inherent in different arts, and at the same time, the center
or core of the metaphor remains intact, and it is important to be able to see it. The universality
of the metaphor that reveals the invisible reality of the world is what Aristakisyan is exploring.
The world, things and people - all pretend, hide, everything is not what it seems, and if you skillfully adjust the optics, or, in other words, your director's vision, you can hunt for an invisible target and capture it with the help of a movie. Arthur Aristakisyan encourages every student to develop his inimitable and unique visual language.
Comparisons of the cinema language of silent movies and modern photography, films of the 60s
and painting of the Renaissance, today's topical political reports and icon painting art explodes
the habitual view and allows one to be born with a unique creative vision, which is necessary
for directors.
Practically at each lesson the master uses specially prepared video material. At first sight,
it representing the connection stylistically and genre-incompatible, however, filigree work with this material creates students a transformational shift of perception and prepares them for freewheeling
in that stormy sea, which today is called the general term «Contemporary modern art».
